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The scarab, lotus flower, Isis knot, Horus eye, falcon, serpent, vulture, and sphinx are all motif symbols tied up with such religious cults as the cult of the pharaohs and the gods and the cult of the dead.
In Egyptian jewelry the use of gold is predominant, and it is generally complemented by the use of the three colours of carnelian, turquoise, and lapis lazuli or of vitreous pastes imitating them.
For the thighs, legs, and feet craftsmen designed thigh bracelets, ankle bracelets, toe rings, and shoe buckles. In the crypt the upper part of the queen’s body was covered with a sort of robe made of gold, silver, lapis lazuli, carnelian, agate, and chalcedony beads, the lower edge decorated with a fringed border made of small gold, carnelian, and lapis lazuli cylinders.
The diadems, necklaces, pectorals, amulets, pendants, bracelets, earrings, and rings are of superb quality and of a high degree of refinement that has rarely been surpassed or even equaled in the history of jewelry.iconographic and chromatic principles gave the jewelry of ancient Egypt—which long remained uncontaminated in spite of contact with other civilizations—a magnificent, solid homogeneity, infused and enriched by magical religious beliefs.
Ornamentation is composed largely of symbols that have a precise name and meaning, with a form of expression that is closely linked to the symbology of hieroglyphic writing.
Sources of inspiration, aside from geometry (disks, circles, cylinders, spheres), were the animal and vegetable world; and expressive forms were based on an essential realism enriched by a moderate use of colour.treasures that accompanied an Egyptian sovereign, both during his lifetime and after his death, as well as the high degree of mastery attained by Egyptian goldsmiths.
This treasure is now housed in the Egyptian Museum in Cairo and represents the biggest collection of gold and jewelry in the world.